Painting

Revolutionary Poster # 1

Watercolour on 140 Birch tiles, Oak frame, 60cm x 85cm

Instructions on aged pamphlet and stained storage plywood box.

Revolutionary Poster #1 2025

Revolutionary Poster #1 is a puzzle made of 140 birch tiles on an A1 oak frame which can be arranged to form a copy of ‘The Talisman’ by Paul Sérusier or four slogans; ‘Danger AI at Work’, ‘Greed Kills’, ‘Anti Social Media’ and ‘Protest and Survive’.

My goal was to create something that, as Lee Ufan describes in his essay ‘the Art of Encounter’, would open a space that ‘eliminates everydayness and arouses fresh perceptions’

I thought how puzzles take their players out of the everyday, and how my own acts of protest have given me a different perspective on how people behave when they encounter someone who is doing something outside of a society norm.

In 1903 Maurice Denis declared ‘The Talisman’ to be a ‘flat surface covered with colours assembled in a certain order’. My idea was to enable reassembly of its colours in different orders to make four harmonious abstracts.

My process is simultaneously analytical and creative. I designed the shapes, colours and lettering on paper. Each of the 140 tiles was then cut, sanded and painted with Michael Harding watercolours, Posca pens for the graffiti and linseed oil to deepen and protect the colours.

The congruent coloured tiles, wooden box and instruction booklet are a tribute to the kindergarten ‘Gifts’ of Friedrich Froebel which revolutionised the way children learned logic, reasoning and spatial awareness. A remarkable number of pioneers of modern art were nurtured at kindergarten using Froebel’s ‘occupational material’.

The act of adding graffiti marks to my own painstaking painting felt like an act of protest. The marks form revolutionary slogans which emerge when the pieces are revolved. I’ve never seen another puzzle of this type, so perhaps, in a small way it is in itself revolutionary.

Student and visitors can play with the puzzle in the Oak Hall at West Dean College of Arts and Conservation where Leonora Carrington, Salvador Dali and Rene Magritte messed about. The tiles make interesting patterns however they are arranged.

Danger AI at Work

Greed Kills

Anti Social Media

Protest and Survive

St Martins, Isles of Scilly 2022

The Isles of Scilly are lit from the reflections of sunlight off the sea. When I made these paintings in Higher Town, St Martins a storm was expected to arrive. Boats were trollied up the beach leaving the usually bustling bay empty of vessels and oddly tranquil.

Before the storm,

Watercolour A4

Higher Town Bay

Watercolour, Pencil A4

Stubble Field

Watercolour A4

O tide that waits for no man, save our coast

Watercolour, Pencil A4

Rush Hour, Middle Town

Watercolour, Pencil A4

Walks from home 2021-23

I am fortunate to live in countryside where it is possible to walk for miles without crossing a main road. These paintings were made from pictures and sketches on site.

Late Afternoon, The Flashes

Acrylic A2

Ancient Yew

Watercolour A4

Sunlight on Grenville Road

Watercolour, Pencil A3

West Dean 2025

During a painting workshop the tutor encouraged us to focus on what happens at the edges of our composition and paint blocks of colour really quickly using large brushes. The results are much looser than my figurative style and I believe that that they place the viewer more in the landscape rather than admiring from a distance.

Approaching Menace

Acrylic on board A3

Octopus Tree

Acrylic on board A3

Black Lavant

Acrylic on board A3

Lemon Lavant

Acrylic on board A3

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